The Viking were instrumental in early British history and after comparison with a few translations of Voluspa, having not read the originating language, I determined that for this adaptation it distinctly outlines a cultural episode between the Viking and what were termed 'black skinned race' (also Elves or Dwarfs). They probably having traveled to Turkey on horseback, considering the complexion of the middle eastern nations, and their proximity and likely trade partnership with Egypt, where Khememu resided; had encountered the cultural phenomenon. As the text is dated 12-13th Century near in the decline of the Vikings, its more probable the storytellers insisted upon this knowing as its historical importance in a treaty, that at last having leveled the cultural influence (along with accounting of the trade of weaponry & servile favor originally under Khememu influence). There is some substantial reconstruction of the account thus, but of the 'Prophesy' of the harp playing, future seeing red woman called Heidi, her visions (and the Vanir) told more or less exactly as was published by the Norroena Society in 1906 (an account pliable with intoxication under influence of psychedelic mushrooms).

The monk whose work was obtained originally in Iceland, had the Norwegian translation. It's likely that without sexual experience he was unable to understand the complex insinuations present, that relates to genetic variety and the distinction between the blackest African race whose genetics, they surely realized weren't recessive at all, and with the necessity for active control measure in breeding against recessive factors to assure that Caucasian off-spring maintained the sought features such as blue eyes, a control also tandem to good military and commercial activity.

The relay does detail the earliest Viking cultural memories, so the actual treaty and trade agreement was probably at the beginning of Viking history late 8th Century whence further technological treaties were formed and language, writing and storytelling converged. The structure of the 'poem' indicates it was likely originally a song, probably growing over use, & eventually inscribed. In fact its origin was potentially the end of the bronze age 1200 B.C. (when weaponry of Iron was claimed in England, Germany & Scandinavia from the East). The purer contextual references seems to be oppressed particularly because of the shame involved in inbreeding and the propagation of genetic disorders no doubt prolific in the stone age and being subverted into the bronze age. Where the exclusiveness of the recessive traits, were sought, against necessity to inter-mix in sustenance of a neutral and clean gene pool (contaminated in overt propagation by father-daughter or mother-son breeding), cross cultural activity with a foreign and dominant genetic race, was the crux of issue in family coherence and integrity.